Economic Example

Economic Example Economic – Book Report/Review Example February, 5, Economics People prefer certain art forms. The paper delves on the government’s art priorities. The paper focuses on the economic value of art products. The government must fund the enhancement the people’s art appreciation. Ms. Hager espoused community youth arts & drama normally involve political, national, social and economic areas (Frohnmayer 1). The government favorably maximizes youth arts funding. The Dept of Housing and Urban Development, Dept of Economic Development, and the Justice Dept help ensure the youth arts practices attain the government’s prescribed non-arts goals. The National Endowment for the Arts (NEA) agency focuses on funding art appreciation, setting the criteria for youth art funding. Likewise, the agency coordinates the funding efforts with schools and other government agencies. Further, there is a stark difference between Latin American Art and U.S. art (Edwards 1). The paper espouses that the current generation of older Latin American artists produce higher quality art masterpieces compared to the current generation’s young artists. On the other hand, the U.S. art scene indicates that the young U.S. artists produce higher quality art masterpieces compared to the older U.S. artists. The discussion delves on both the experimental artists and the conceptual artists. Some U.S. artists prefer abstract expression art form. In terms of older artists, it is more profitable to invest in Latin American art than U.S. art pieces. Based on the above discussion, I feel the government must enhance art appreciation. The government’s NEA agency must enhance the linkage between the agencies and the people’s art appreciation, enhancing the people’s art appreciation and the art masterpieces’ economic value. In terms of older artists’ masterpieces, people should invest more in Latin American masterpieces than American art masterpieces. Evidently, I feel the government agencies should fund the people’s art appreciation, increasing the art pieces’ economic values. :Edwards, Sebastian. The Economics of Latin American Art. Cambridge: National Bureau of Economic Research, 2004.Print.Frohnmayer, John. Censorship and Its Progeny. London: Fulcrum Press, 1985. Print.

Audiencia previa Master Calendar en proceso deportación

Audiencia previa Master Calendar en proceso deportacià ³n Cuando un migrante recibe una carta citndolo para que se presente en una fecha determinada en corte para el Master Calendar eso significa que se ha iniciado y dado el primer paso en el proceso de deportacià ³n en su contra. Durante este proceso el migrante se juega ganar el derecho a permanecer en EE.UU. o, por el contrario, obtener una orden de remocià ³n. Por ello es importante entender quà © es el Master Calendar y quà © se decide en ese momento, cà ³mo prepararse y casos en los que puede tener lugar un segundo Master Calendar  ¿Quà © es el Master Calendar? El Master Calendar es una audiencia previa en el juicio de deportacià ³n. Unas semanas o meses ms tarde tiene lugar la audiencia propiamente dicha, que es que se conoce en inglà ©s como Individual hearing. Cuando un migrante recibe la carta que se conoce en inglà ©s como Notice to Appear, o por sus siglas NTA, en la que se seà ±ala que debe presentarse en fecha y hora determinada en una Corte de Inmigracià ³n para el Master Calendar. El Master Calendar quiere decir que se ha iniciado contra un migrante un procedimiento de deportacià ³n. Los cargos son los que se seà ±alan en la Notice to Appear, es decir, en la carta en la que se notificà ³ que debà ­a presentarse en Corte para el Master Calendar. En algunos casos los migrantes podrà ­an recibir otro tipo de notificacià ³n. Son ejemplos de cargos los siguientes: ingreso ilegal a EE.UU.permanecer en el paà ­s ms tiempo del permitidoutilizacià ³n de documentos falsosmentir en la aplicacià ³n de un beneficio migratoriocondena por determinados delitos, etc. Los abogados recomiendan nunca reconocer un fraude como, por ejemplo, la utilizacià ³n de documentos falsos.  ¿Quà © sucede en un Master Calendar ante un Juez de Inmigracià ³n? En las audiencias Master Calendar el juez cita a muchos migrantes –pueden ser incluso 30– para que comparezcan en el mismo plazo de tiempo de unas dos horas. Y a partir de ahà ­ ir resolviendo asuntos bsicamente de carcter administrativo. El juez llamar a cada migrante por su nà ºmero de Alien Registration Number y nombre. Cuando se produce el llamado, el inmigrante y, si tiene, su abogado, se levantarn e irn hablar con el juez.  Adems, tambià ©n estar presente al abogado que representa los intereses del gobierno. Se trata de determinar de manera rpida quà © camino va a seguir el proceso de deportacià ³n. Si el inmigrante tiene abogado, de pago o pro bono, lo ms frecuente es que las preguntas las conteste el letrado. El juez va a recordar los cargos contra el migrante, que ya se conocen porque figuran en la carta del Notice to Appear. El inmigrante puede rechazarlos o admitirlos. Tambià ©n puede seà ±alar que hay errores, como por ejemplo, si se dice que entrà ³ en determinada fecha en el paà ­s y la verdadera es otra, es el momento de llamar la atencià ³n del juez sobre eso. A continuacià ³n se establecer cul es el alivio que se va a buscar para luchar contra la deportacià ³n, Por ejemplo, si se solicita asilo, o una  salida voluntaria  o se est en condicià ³n de pedir un  ajuste de estatus, etc. Tambià ©n se van a decidir puntos como la fecha de la vista que se conoce como Individual Hearing y muy posiblemente el juez dà © unos plazos para presentar documentacià ³n para enviar aplicaciones o informacià ³n adicional. Es importante tener a mano un calendario donde anotar las fechas, ya que deben cumplirse todos los plazos. Incluso es posible que se fije una segunda audiencia Master Calendar como, por ejemplo, cuando el migrante todavà ­a no ha encontrado a un abogado que se haga cargo de su caso o cuando el letrado todavà ­a no ha tenido tiempo para beneficiarse con el mismo. Al finalizar la audiencia del Master Calendar se recibir un papel (Notice) donde aparece una nueva fecha: la de la vista individual y, en algunos casos, el de otra audiencia previa. Audiencia de Master Calendar y peticiones de asilo Para los migrantes que solicitan asilo en la audiencia del Master Calendar cabe destacar que si se solicita asilo es conveniente que cuando el juez pregunta a quà © paà ­s se desea ser deportado, si esa es la decisià ³n final del caso, no se diga el paà ­s propio, ya que se considera que el solicitante de asilo tiene miedo de regresar. Hablarlo con un abogado porque podrà ­a ser recomendable guardar silencio ante esa pregunta. Asimismo, si se solicita el asilo debe pedirse, al mismo tiempo, cancelacià ³n de la deportacià ³n conocida en inglà ©s como withholding of removal y tambià ©n la proteccià ³n segà ºn la Convencià ³n de Naciones Unidas en contra de la Tortura. Tambià ©n para los solicitantes de asilo cabe destacar que si se acepta una expulsià ³n rpida conocida en inglà ©s como expedited removal el plazo que se dar para la audiencia principal individual de mà ©ritos es de un mximo de 180 dà ­as a contar desde la fecha en la que se presentà ³ inicialmente la solicitud, lo cual puede ser insuficiente para preparar con garantà ­as el caso de asilo. Pero, por otro lado, si no se acepta el expedited removal el migrante no tendr derecho a obtener un permiso de trabajo mientras el caso se tramita en Corte migratoria. Preparacià ³n para audiencia Master Calendar: quà © llevar y cunto se demora El inmigrante debe presentarse con tiempo y haber planeado el dà ­a de tal manera que sepa que es posible que pase en el edificio de la Corte varias horas, aunque su presencia ante el juez va a durar unos 20 minutos. Para asegurase de llegar a tiempo, consultar la direccià ³n exacta de la corte. Tambià ©n se puede saber el nombre del juez y del administrador de la corte. Ir bien presentado, sin nada que pueda ser considerado un arma, y llevar la carta del Notice to Appear donde se le cita para esa Corte el dà ­a en que se presenta. Llevar tambià ©n un I.D. que puede ser el pasaporte, una licencia de manejar, la matrà ­cula consular, etc. Tambià ©n debe llevarse el original de cualquier documento que se estime, a sugerencia del abogado si se tuviera uno, que servir para ilustrar el alivio de la deportacià ³n que se solicita. Aunque la ley no obliga a llevar abogado es muy recomendable, ya que las estadà ­sticas demuestran que realmente hay una gran diferencia en resultados cuando los migrantes estn debidamente representados por un letrado que conoce las leyes de inmigracià ³n, es honrado y pone tiempo y esfuerzo para entender el caso del cliente y buscar una posible solucià ³n. Se puede ir acompaà ±ado de familiares, pero nunca debe ir a un edificio federal voluntaria un indocumentado, ya que puede ser arrestado. Es recomendable que se queden en casa o esperen fuera del edificio de la Corte. Adems, es mejor que los menores no està ©n dentro de una sala de inmigracià ³n ya que se pueden ver u oà ­r cosas desagradables o muy duras para ellos.  ¿Quà © hacer si no se tiene un buen conocimiento del inglà ©s? Si no se entiende inglà ©s y, por lo tanto, no se tiene comprensià ³n de quà © est sucediendo se puede solicitar un intà ©rprete. Lo ms frecuente es que este servicio se preste por telà ©fono y es totalmente gratuito. No est permitido que el migrante traiga a corte a su propio intà ©rprete. Quà © se puede hacer si los plazos seà ±alados por el juez son muy cortos Puede suceder que el inmigrante no pueda preparar bien su defensa o encontrar y reunir todos los documentos y testigos para respaldar el alivio que se desea pedir en los plazos que fijà ³ el juez de Inmigracià ³n. Si ese es el caso hay que pedir una extensià ³n de los plazos, lo que en inglà ©s se conoce como extension of deadlines. Y, si lo que es necesario es pasar para una fecha ms tarde el individual hearing entonces lo que procede es pedir una audiencia para ms tarde continuance. Es muy importante argumentar bien la razà ³n por la que se necesitan estas nuevas fechas. Si no se hace asà ­, el juez lo va a negar. Tambià ©n en los casos en los que se ha fijado un nuevo Master Calendar, en vez de una Individual Hearing, se puede pedir que se posponga la fecha y tambià ©n a travà ©s de lo que se conoce como continuance. Tambià ©n tiene que estar apoyada esta peticià ³n por alguna razà ³n. Por ejemplo, que se acaba de encontrar abogado y à ©ste todavà ­a no ha tenido tiempo para familiarizarse con el caso. Consecuencias de no presentarse a audiencia Master Calendar No presentarse a un Master Calendar o incluso simplemente llegar tarde, como por ejemplo, por razones de trfico, puede tener consecuencias realmente malas.   Por ejemplo, el juez puede negar toda posible defensa que se pretende argumentar frente a la deportacià ³n. O, incluso, puede dictar una orden de deportacià ³n aunque el migrante no està © presente. Es lo que se conoce como deportacià ³n in absentia. Las personas que no se presentaron a un Master Calendar pueden utilizar un sistema automatizado para saber si tienen una orden de deportacià ³n en su contra. La audiencia individual de mà ©ritos En la audiencia Master Calendar no se presentan testigos ni se interroga al migrante, simplemente es una audiencia previa. Ser ms tarde, en la audiencia individual de mà ©ritos, en la que se desarrolla el juicio y al finalizar la misma el juez determinar si el migrante se puede quedar en EE.UU. o, por el contrario, ordena su remocià ³n. Contra la decisià ³n del juez es posible apelar ante el Board of Immigration Appeals. Master Calendar El Master Calendar es una audiencia previa en el juicio de deportacià ³n de un migrante. En ella el migrante no es interrogado ni se presentan testigo y sirve para establecer cul va a ser su defensa .Para el migrante que no se presenta a una cita en corte para Master Calendar o incluso simplemente llega tarde puede ordenarse su deportacià ³n in absence.No es obligatorio presentarse a la Master Calendar con abogado y el gobierno no paga uno de oficio. Sin embargo, es altamente recomendable contratar a un letrado con excelente reputacià ³n o encontrar uno que trabaje pro bono.Si no se habla inglà ©s con fluidez, solicitar los servicios de un intà ©rprete, que es gratuito. El migrante no est autorizado a presentar a su propio traductor. Este es un artà ­culo informativo. No es asesorà ­a legal.

Criminology juvenile delinquent Assignment 1- chptr 3-6 Essay

Criminology juvenile delinquent Assignment 1- chptr 3-6 - Essay Example In the University of Shippenburg, they argued that children name explain some juvenile delinquencies in the majority of races. They concluded that children with unpopular name have correlated influence to juvenile delinquency. Children in lower social economic groups have a difficult life, which contribute to, the development of juvenile delinquency. The essay addresses the upbringing and the early life conditions of Ariel Gutieerrez. He had all the conditions that lead to juvenile delinquency. He was rejected by his parent at early ages and had to live in the streets of Los Angeles. He lacked basic formal education and parental supervision. Moreover, he engaged in substance abuse and in disorder conducts that characterize the street life. Ariel was born of an American father and a Mexican woman. His father got acquainted after a short period of knowing Catherine. Both have just finished high school, but had no means of joining college because they were from poor families. They soon bore a son and named him Ariel Gutieerrez. Ariel Gutieerrez was born while both his parent were living together in the outcast of Los Angeles, but after a brief union his father walked out of home leaving him and his mother to struggle for basic needs. Ariel father had no job and neither her mother nor their parents. They survived on casual jobs, and they could not adequately provide for the family. This might explain why Ariel father walked away of the family for failing to cater for their need. Soon as his father went out of the family, Ariel mother abandoned him and went on her ways. Ariel went to the street of Los Angeles and joined other street children. Life as a street children exposed him to all manners of survival including gang life, engaging in crime, molesting and drug abuse. He was doing drugs, and he lived in and out of jail for most of his childhood life. He lacked parental supervision and

Personal Identity Essay Example | Topics and Well Written Essays - 500 words

Personal Identity - Essay Example In addition, his memories and believes remain unchanged. According to Schmid (2), the resultant person is a convection referring to bundle of mental states and events hence resembling the original person from whom the brain was removed. This can be tested by evaluating the persons memory after the procedure. Thus, person A is the same as person B if and only if A can remember having an experience of B. The procedure done on Gretchen Weirob revealed that a person’s identity does not change if his brain is replaced with a duplicate one. The person’s looks, character, personality, beliefs, habits, desires, and skills remain the same. Therefore, from the success of the procedure done on other people, the results will not be different with me; I will remain the same person as long as my brain is replaced with a duplicate of my own brain. Considering Brain view theory, if I was to undergo brain rejuvenation, I will wake up the same person I was before the procedure. My resultant person will resemble the original person since our brains will be identical. I will be numerically identical to the person I was as long as I do not get another person’s brain. This includes having all the spheres in the new brain identical to the original ones. However, this theory is insufficient and needs to be used in combination with the psychological bundle view theory. This theory compares relationship in the conscious states of a person at different times. For example in my case, my conscious states after the procedure will be appropriately related to what I have now. I will be remembering the same things, relating events to the right experiences thus making the resultant person the same as the original one as defined by the memory proposal theory. If the process is undertaken as required, survival is guaranteed. The brain, which will be place in my skull to replace my current one, will be a complete duplicate. This will enable it

Essay --

HISTORY OF THE COMEDY FILM GENRE Types of Comedies: There has been many different types and forms of comedies down through the years, some of which include: †¢ Slapstick: this type of comedy was dominant in the early years of silent film. They didn’t need sound to be effective, which meant it there wasn’t a language barrier and it could be understood all over the world. Slapstick was all about well-timed performance skills. Slapstick comedy evolved and screwball comedy took over in the 1930’s and 1940’s. †¢ Screwball: these films where mainly made up of slapstick, farce and witty dialogue. They were generally light-hearted films with a romantic story, where the plot would be a battle between the sexes and they both try to outwit each other. †¢ Deadpan: this type of comedy is known as dry humour, where there would be no change in the characters facial or body language. Buster Keaton would be famous for this type of expression-less humour. †¢ Verbal Comedy: W.C. Fields used cruel verbal wit in his movies. Other forms of comedy include: †¢ Black or dark comedy †¢ Parody or spoof Slapstick Comedy Films from the comedy genre began in the early 1900’s, with screen legends such as Charlie Chaplin, Buster Keaton, and Harold Lloyd all leading the way. Technology at this time was limited so the humour of many of these films relied on slapstick comedy. The characters in these types of movies would play out their roles by using physical movements and over the top facial expressions to get the humour across to the audience. One of the first ever comedy movies was called â€Å"Watering the Gardener†, directed by the Lumiere brothers in 1985. It was a sketch that only lasted 49 seconds and was the first to use slapstick comedy. The plot is about a ga... ...st production companies in Hollywood decided to go with more serious topics for the audience. A good example of this would be Preston Sturges screwball comedy â€Å"The Lady Eve†. In the late 1940’s the British Black comedies were using serious subjects in a comical way, such as the film â€Å"The Ladykillers† (1955). In the 1950’s, the television industry was starting to become the main form of entertainment. Comedy films could no longer rely on only using verbal and visual wit, but they now had to add â€Å"excellent production values† (Cook 508) because more and more people were deciding to stay home to watch television rather then going to the cinema. As television shows were more family-oriented, comedy films in the 1950’s were becoming more adult related, and because television shows also had various comedy shows and acts, comedy films went into decline during this decade.

The Host Chapter 9: Discovered

I drove quickly through the I-10 junction as the sun fell behind me. I didn't see much besides the white and yellow lines on the pavement, and the occasional big green sign pointing me farther east. I was in a hurry now. I wasn't sure exactly what I was in a hurry for, though. To be out of this, I supposed. Out of pain, out of sadness, out of aching for lost and hopeless loves. Did that mean out of this body? I couldn't think of any other answer. I would still ask my questions of the Healer, but it felt as though the decision was made. Skipper. Quitter. I tested the words in my head, trying to come to terms with them. If I could find a way, I would keep Melanie out of the Seeker's hands. It would be very hard. No, it would be impossible. I would try. I promised her this, but she wasn't listening. She was still dreaming. Giving up, I thought, now that it was too late for giving up to help. I tried to stay clear of the red canyon in her head, but I was there, too. No matter how hard I tried to see the cars zooming beside me, the shuttles gliding in toward the port, the few, fine clouds drifting overhead, I couldn't pull completely free of her dreams. I memorized Jared's face from a thousand different angles. I watched Jamie shoot up in a sudden growth spurt, always skin and bones. My arms ached for them both-no, the feeling was sharper than an ache, blade-edged and violent. It was intolerable. I had to get out. I drove almost blindly along the narrow two-lane freeway. The desert was, if anything, more monotonous and dead than before. Flatter, more colorless. I would make it to Tucson long before dinnertime. Dinner. I hadn't eaten yet today, and my stomach rumbled as I realized that. The Seeker would be waiting for me there. My stomach rolled then, hunger momentarily replaced with nausea. Automatically, my foot eased off the gas. I checked the map on the passenger seat. Soon I would reach a little pit stop at a place called Picacho Peak. Maybe I would stop to eat something there. Put off seeing the Seeker a few precious moments. As I thought of this unfamiliar name-Picacho Peak-there was a strange, stifled reaction from Melanie. I couldn't make it out. Had she been here before? I searched for a memory, a sight or a smell that corresponded, but found nothing. Picacho Peak. Again, there was that spike of interest that Melanie repressed. What did the words mean to her? She retreated into faraway memories, avoiding me. This made me curious. I drove a little faster, wondering if the sight of the place would trigger something. A solitary mountain peak-not massive by normal standards, but towering above the low, rough hills closer to me-was beginning to take shape on the horizon. It had an unusual, distinctive shape. Melanie watched it grow as we traveled, pretending indifference to it. Why did she pretend not to care when she so obviously did? I was disturbed by her strength when I tried to find out. I couldn't see any way around the old blank wall. It felt thicker than usual, though I'd thought it was almost gone. I tried to ignore her, not wanting to think about that-that she was growing stronger. I watched the peak instead, tracing its shape against the pale, hot sky. There was something familiar about it. Something I was sure I recognized, even as I was positive that neither of us had been here before. Almost as if she was trying to distract me, Melanie plunged into a vivid memory of Jared, catching me by surprise. I shiver in my jacket, straining my eyes to see the muted glare of the sun dying behind the thick, bristly trees. I tell myself that it is not as cold as I think it is. My body just isn't used to this. The hands that are suddenly there on my shoulders do not startle me, though I am afraid of this unfamiliar place and I did not hear his silent approach. Their weight is too familiar. â€Å"You're easy to sneak up on.† Even now, there is a smile in his voice. â€Å"I saw you coming before you took the first step,† I say without turning. â€Å"I have eyes in the back of my head.† Warm fingers stroke my face from my temple to my chin, dragging fire along my skin. â€Å"You look like a dryad hidden here in the trees,† he whispers in my ear. â€Å"One of them. So beautiful that you must be fictional.† â€Å"We should plant more trees around the cabin.† He chuckles, and the sound makes my eyes close and my lips stretch into a grin. â€Å"Not necessary,† he says. â€Å"You always look that way.† â€Å"Says the last man on Earth to the last woman on Earth, on the eve of their separation.† My smile fades as I speak. Smiles cannot last today. He sighs. His breath on my cheek is warm compared to the chill forest air. â€Å"Jamie might resent that implication.† â€Å"Jamie's still a boy. Please, please keep him safe.† â€Å"I'll make you a deal,† Jared offers. â€Å"You keep yourself safe, and I'll do my best. Otherwise, no deal.† Just a joke, but I can't take it lightly. Once we are apart, there are no guarantees. â€Å"No matter what happens,† I insist. â€Å"Nothing's going to happen. Don't worry.† The words are nearly meaningless. A waste of effort. But his voice is worth hearing, no matter the message. â€Å"Okay.† He pulls me around to face him, and I lean my head against his chest. I don't know what to compare his scent to. It is his own, as unique as the smell of juniper or the desert rain. â€Å"You and I won't lose each other,† he promises. â€Å"I will always find you again.† Being Jared, he cannot be completely serious for more than a heartbeat or two. â€Å"No matter how well you hide. I'm unstoppable at hide-and-seek.† â€Å"Will you give me to the count of ten?† â€Å"Without peeking.† â€Å"You're on,† I mumble, trying to disguise the fact that my throat is thick with tears. â€Å"Don't be afraid. You'll be fine. You're strong, you're fast, and you're smart.† He's trying to convince himself, too. Why am I leaving him? It's such a long shot that Sharon is still human. But when I saw her face on the news, I was so sure. It was just a normal raid, one of a thousand. As usual when we felt isolated enough, safe enough, we had the TV on as we cleaned out the pantry and fridge. Just to get the weather forecast; there isn't much entertainment in the dead-boring everything-is-perfect reports that pass for news among the parasites. It was the hair that caught my eye-the flash of deep, almost pink red that I'd only ever seen on one person. I can still see the look on her face as she peeked at the camera from the corner of one eye. The look that said, I'm trying to be invisible; don't see me. She walked not quite slowly enough, working too hard at keeping a casual pace. Trying desperately to blend in. No body snatcher would feel that need. What is Sharon doing walking around human in a huge city like Chicago? Are there others? Trying to find her doesn't even seem like a choice, really. If there is a chance there are more humans out there, we have to locate them. And I have to go alone. Sharon will run from anyone but me-well, she will run from me, too, but maybe she will pause long enough for me to explain. I am sure I know her secret place. â€Å"And you?† I ask him in a thick voice. I'm not sure I can physically bear this looming goodbye. â€Å"Will you be safe?† â€Å"Neither heaven nor hell can keep me apart from you, Melanie.† Without giving me a chance to catch my breath or wipe away the fresh tears, she threw another at me. Jamie curls up under my arm-he doesn't fit the way he used to. He has to fold in on himself, his long, gangly limbs poking out in sharp angles. His arms are starting to turn hard and sinewy, but in this moment he's a child, shaking, cowering almost. Jared is loading the car. Jamie would not show this fear if he were here. Jamie wants to be brave, to be like Jared. â€Å"I'm scared,† he whispers. I kiss his night-dark hair. Even here among the sharp, resinous trees, it smells like dust and sun. It feels like he is part of me, that to separate us will tear the skin where we are joined. â€Å"You'll be fine with Jared.† I have to sound brave, whether I feel that way or not. â€Å"I know that. I'm scared for you. I'm scared you won't come back. Like Dad.† I flinch. When Dad didn't come back-though his body did eventually, trying to lead the Seekers to us-it was the most horror and the most fear and the most pain I'd ever felt. What if I do that to Jamie again? â€Å"I'll come back. I always come back.† â€Å"I'm scared,† he says again. I have to be brave. â€Å"I promise everything will be fine. I'm coming back. I promise. You know I won't break a promise, Jamie. Not to you.† The shaking slows. He believes me. He trusts me. And another: I can hear them on the floor below. They will find me in minutes, or seconds. I scrawl the words on a dirty shred of newsprint. They are nearly illegible, but if he finds them, he will understand: Not fast enough. Love you love Jamie. Don't go home. Not only do I break their hearts, I steal their refuge, too. I picture our little canyon home abandoned, as it must be forever now. Or if not abandoned, a tomb. I see my body leading the Seekers to it. My face smiling as we catch them there†¦ â€Å"Enough,† I said out loud, cringing away from the whiplash of pain. â€Å"Enough! You've made your point! I can't live without them either now. Does that make you happy? Because it doesn't leave me many choices, does it? Just one-to get rid of you. Do you want the Seeker inside you? Ugh!† I recoiled from the thought as if I would be the one to house her. There is another choice, Melanie thought softly. â€Å"Really?† I demanded with heavy sarcasm. â€Å"Show me one.† Look and see. I was still staring at the mountain peak. It dominated the landscape, a sudden upthrust of rock surrounded by flat scrubland. Her interest pulled my eyes over the outline, tracing the uneven two-pronged crest. A slow, rough curve, then a sharp turn north, another sudden turn back the other way, twisting back to the north for a longer stretch, and then the abrupt southern decline that flattened out into another shallow curve. Not north and south, the way I'd always seen the lines in her piecemeal memories; it was up and down. The profile of a mountain peak. The lines that led to Jared and Jamie. This was the first line, the starting point. I could find them. We could find them, she corrected me. You don't know all the directions. Just like with the cabin, I never gave you everything. â€Å"I don't understand. Where does it lead? How does a mountain lead us?† My pulse beat faster as I thought of it: Jared was close. Jamie, within my reach. She showed me the answer. â€Å"They're just lines. And Uncle Jeb is just an old lunatic. A nut job, like the rest of my dad's family.† I try to tug the book out of Jared's hands, but he barely seems to notice my effort. â€Å"A nut job, like Sharon's mom?† he counters, still studying the dark pencil marks that deface the back cover of the old photo album. It's the one thing I haven't lost in all the running. Even the graffiti loony Uncle Jeb left on it during his last visit has sentimental value now. â€Å"Point taken.† If Sharon is still alive, it will be because her mother, loony Aunt Maggie, could give loony Uncle Jeb a run for the title of Craziest of the Crazy Stryder Siblings. My father had been only slightly touched by the Stryder madness-he didn't have a secret bunker in the backyard or anything. The rest of them, his sister and brothers, Aunt Maggie, Uncle Jeb, and Uncle Guy, were the most devoted of conspiracy theorists. Uncle Guy had died before the others disappeared during the invasion, in a car accident so commonplace that even Maggie and Jeb had struggled to make an intrigue out of it. My father always affectionately referred to them as the Crazies. â€Å"I think it's time we visited the Crazies,† Dad would announce, and then Mom would groan-which is why such announcements had happened so seldom. On one of those rare visits to Chicago, Sharon had snuck me into her mother's hidey-hole. We got caught-the woman had booby traps every-where. Sharon was scolded soundly, and though I was sworn to secrecy, I'd had a sense Aunt Maggie might build a new sanctuary. But I remember where the first is. I picture Sharon there now, living the life of Anne Frank in the middle of an enemy city. We have to find her and bring her home. Jared interrupts my reminiscing. â€Å"Nut jobs are exactly the kind of people who will have survived. People who saw Big Brother when he wasn't there. People who suspected the rest of humanity before the rest of humanity turned dangerous. People with hiding places ready.† Jared grins, still study-ing the lines. And then his voice is heavier. â€Å"People like my father. If he and my brothers had hidden rather than fought†¦ Well, they'd still be here.† My tone is softer, hearing the pain in his. â€Å"Okay, I agree with the theory. But these lines don't mean anything.† â€Å"Tell me again what he said when he drew them.† I sigh. â€Å"They were arguing-Uncle Jeb and my dad. Uncle Jeb was trying to convince him that something was wrong, telling him not to trust anyone. Dad laughed it off. Jeb grabbed the photo album from the end table and started†¦ almost carving the lines into the back cover with a pencil. Dad got mad, said my mom would be angry. Jeb said, Linda's mom asked you all to come up for a visit, right? Kind of strange, out of the blue? Got a little upset when only Linda would come? Tell you the truth, Trev, I don't think Linda will be minding anything much when she gets back. Oh, she might act like it, but you'll be able to tell the difference.' It didn't make sense at the time, but what he said really upset my dad. He ordered Uncle Jeb out of the house. Jeb wouldn't leave at first. Kept warning us not to wait until it was too late. He grabbed my shoulder and pulled me into his side. Don't let 'em get you, honey,' he whispered. Follow the lines. Start at the beginning and follow the l ines. Uncle Jeb'll keep a safe place for you.' That's when Dad shoved him out the door.† Jared nods absently, still studying. â€Å"The beginning†¦ the beginning†¦ It has to mean something.† â€Å"Does it? They're just squiggles, Jared. It's not like a map-they don't even connect.† â€Å"There's something about the first one, though. Something familiar. I could swear I've seen it somewhere before.† I sigh. â€Å"Maybe he told Aunt Maggie. Maybe she got better directions.† â€Å"Maybe,† he says, and continues to stare at Uncle Jeb's squiggles. She dragged me back in time, to a much, much older memory-a memory that had escaped her for a long while. I was surprised to realize that she had only put these memories, the old and the fresh, together recently. After I was here. That was why the lines had slipped through her careful control despite the fact that they were one of the most precious of her secrets-because of the urgency of her discovery. In this blurry early memory, Melanie sat in her father's lap with the same album-not so tattered then-open in her hands. Her hands were tiny, her fingers stubby. It was very strange to remember being a child in this body. They were on the first page. â€Å"Do you remember where this is?† Dad asks, pointing to the old gray picture at the top of the page. The paper looks thinner than the other photographs, as if it has worn down-flatter and flatter and flatter-since some great-great-grandpa took it. â€Å"It's where we Stryders come from,† I answer, repeating what I've been taught. â€Å"Right. That's the old Stryder ranch. You went there once, but I bet you don't remember it. I think you were eighteen months old.† Dad laughs. â€Å"It's been Stryder land since the very beginning†¦Ã¢â‚¬  And then the memory of the picture itself. A picture she'd looked at a thousand times without ever seeing it. It was black and white, faded to grays. A small rustic wooden house, far away on the other side of a desert field; in the foreground, a split-rail fence; a few equine shapes between the fence and the house. And then, behind it all, the sharp, familiar profile†¦ There were words, a label, scrawled in pencil across the top white border: Stryder Ranch, 1904, in the morning shadow of†¦ â€Å"Picacho Peak,† I said quietly. He'll have figured it out, too, even if they never found Sharon. I know Jared will have put it together. He's smarter than me, and he has the picture; he probably saw the answer before I did. He could be so close†¦ The thought had her so filled with yearning and excitement that the blank wall in my head slipped entirely. I saw the whole journey now, saw her and Jared's and Jamie's careful trek across the country, always by night in their inconspicuous stolen vehicle. It took weeks. I saw where she'd left them in a wooded preserve outside the city, so different from the empty desert they were used to. The cold forest where Jared and Jamie would hide and wait had felt safer in some ways-because the branches were thick and concealing, unlike the spindly desert foliage that hid little-but also more dangerous in its unfamiliar smells and sounds. Then the separation, a memory so painful we skipped through it, flinching. Next came the abandoned building she'd hidden in, watching the house across the street for her chance. There, concealed within the walls or in the secret basement, she hoped to find Sharon. I shouldn't have let you see that, Melanie thought. The faintness of her silent voice gave away her fatigue. The assault of memories, the persuasion and coercion, had tired her. You'll tell them where to find her. You'll kill her, too. â€Å"Yes,† I mused aloud. â€Å"I have to do my duty.† Why? she murmured, almost sleepily. What happiness will it bring you? I didn't want to argue with her, so I said nothing. The mountain loomed larger ahead of us. In moments, we would be beneath it. I could see a little rest stop with a convenience store and a fast food restaurant bordered on one side by a flat, concrete space-a place for mobile homes. There were only a few in residence now, with the heat of the coming summer making things uncomfortable. What now? I wondered. Stop for a late lunch or an early dinner? Fill my gas tank and then continue on to Tucson in order to reveal my fresh discoveries to the Seeker? The thought was so repellent that my jaw locked against the sudden heave of my empty stomach. I slammed on the brake reflexively, screeching to a stop in the middle of the lane. I was lucky; there were no cars to hit me from behind. There were also no drivers to stop and offer their help and concern. For this moment, the highway was empty. The sun beat down on the pavement, making it shimmer, disappear in places. This shouldn't have felt like a betrayal, the idea of continuing on my right and proper course. My first language, the true language of the soul that was spoken only on our planet of origin, had no word for betrayal or traitor. Or even loyalty-because without the existence of an opposite, the concept had no meaning. And yet I felt a deep well of guilt at the very idea of the Seeker. It would be wrong to tell her what I knew. Wrong, how? I countered my own thought viciously. If I stopped here and listened to the seductive suggestions of my host, I would truly be a traitor. That was impossible. I was a soul. And yet I knew what I wanted, more powerfully and vividly than anything I had ever wanted in all the eight lives I'd lived. The image of Jared's face danced behind my eyelids when I blinked against the sun-not Melanie's memory this time, but my memory of hers. She forced nothing on me now. I could barely feel her in my head as she waited-I imagined her holding her breath, as if that were possible-for me to make my decision. I could not separate myself from this body's wants. It was me, more than I'd ever intended it to be. Did I want or did it want? Did that distinction even matter now? In my rearview mirror, the glint of the sun off a distant car caught my eye. I moved my foot to the accelerator, starting slowly toward the little store in the shadow of the peak. There was really only one thing to do.

Women s Influence On Gender Roles - 1427 Words

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